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The Trap Set with Joe Wong

Every Wednesday, Joe Wong talks to a different drummer about life as a drummer.
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Now displaying: November, 2018
Nov 28, 2018

Nabil Ayers was born into a deeply musical family and began playing drums as a toddler. Eventually, he toured and recorded with bands such as The Lemons and The Long Winters, his experiences as a drummer serving as the foundation for what has become an impressively multifaceted career in the music business. Nabil tells Joe about: being raised by a single mom; getting his first drum set from his uncle, free jazzer Alan Michael Braufman; the few interactions he’s had with his biological father, Roy Ayers; getting arrested and charged with a felony; co-founding Seattle record store, Sonic Boom; his career as a record executive; and his budding interest in writing.

Nov 21, 2018

Kevin Haskins's spare, hypnotic style laid the foundation for goth luminaries, Bauhaus. He tells Joe about: growing up in Northampton; seeing bands like The Who and Led Zeppelin; how the burgeoning punk scene gave him confidence to pursue music; playing the now-classic "Bela Lugosi's Dead" for the first time; the sense of devastation he experienced after the breakup of Bauhaus; working with subsequent bands such as Tones on Tail and Love and Rockets; and passing on his love of music to his children. Check out the new Bauhaus release "The Bela Session" out this Friday, 11/23.

Nov 14, 2018

Aaron Sterling's percussive prowess would have gotten him plenty of work during the golden age of the recording studio, but his attention to sonics and ability to self engineer make him a quintessential studio drummer for the modern paradigm. He discusses: overcoming social anxiety; working at California Pizza Kitchen; his largely unwavering musical confidence; how he built his career without compromising his values; and musical empathy.

Nov 7, 2018

Parker Kindred has a supernatural gift of musical intuition. His intensely imaginative, lyrical playing style imbues the music with a deep hypnotic subtlety. Joe joined Parker in his Williamsburg apartment to discuss: being “inside one’s body”; why identifying as a drummer makes him feel like a loser; working with artists such as Joan As Police Woman and Jeff Buckley; and what he would ask other versions of himself if he could travel through time.

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