In this bonus, mini-episode, Carmine Appice remembers his relationship with the great Buddy Rich. You can hear Carmine's full episode by subscribing to The Trap Set for free.
While most drummers strive to "play for the song", Zach Barocas's unique, innovative drumming is an essential element of the song. He tells Joe about growing up in Rochester, NY; the unusual way he joined the legendary DC band Jawbox; and overcoming struggles with addiction.
Adam Wade's inventive, angular drumming first emerged in the early 1990s, as DC punk bands began experimenting with more complex, sophisticated song structures than their hardcore predecessors. Adam tells Joe about growing up in Greenwich Village; his time with two highly influential bands--Jawbox and Shudder to Think; how he evolved as a person when he stopped touring; and how he overcame artistic numbness.
Carmine Appice first achieved mainstream recognition as the drummer for Vanilla Fudge. Over the subsequent 50 years, he has established himself as one of the most influential drummers in the history of rock. Carmine tells Joe about his time in a gang; collaborating with Cactus, Rod Stewart, and Vanilla Fudge; and why he was compelled to sleep with 4501 women.
Laura Harris's powerfully lean style provides the perfect foundation for the expertly crafted, hook-laden songs of Ex Hex. She tells Joe about working at DC's legendary rock club, The Black Cat; her time in Dischord band The Aquarium; and how she moved forward after the end of a creative and romantic partnership.
Greg Fox has worked with many of the most exciting groups to hail from New York in the past decade, and his unique style also lends itself well to solo percussion music. Greg tells Joe about his childhood in Manhattan; the benefits of working at the now defunct music hub Manny's; the realization that not every promising collaboration works out as planned; and why he is excited to move forward as an independent artist.
Over the course of the past three decades, Todd Trainer has distinguished himself as one of his generation’s most unique rock drummers. Both visceral and sophisticated, he executes brilliantly composed beats with an instantly identifiable loping groove. He tells Joe about growing up in Minnesota; working in the school lunch line as a teenager; creating music with Steve Albini and Bob Weston in Shellac; his time working for a hair products company; and his current career as a drum instructor.
In this bonus mini-episode, the legendary Sly Dunbar answers your questions about Bob Dylan, Serge Gainsbourg, his favorite studio snacks, and more.
Sly Dunbar burst onto the Kingston music scene in the early 1970s. Along with his partner, bassist Robbie Shakespeare, Sly revolutionized Jamaican music and appeared on countless hits. As reggae music exploded in popularity in the 1970s and 80s, top international artists ranging from Dylan to Gainsbourg flocked to Jamaica, seeking the wicked groove only Sly & Robbie can provide. He tells Joe how he and Robbie have maintained their longevity, how they developed their groundbreaking sound at Channel One Studios, and why he still has an inexhaustible work ethic.
Ben Blackwell first made a name for himself as one of two drummers for the Detroit-based band The Dirtbombs. He has also been active as a journalist, songwriter, and owner of Cass Records. He met with Joe at his office in Nashville, where he oversees vinyl production for Third Man Records.
In this bonus mini-episode, Mac McNeilly answers your questions about The Jesus Lizard, prog rock, and working out. The topic of Phil Collins is also discussed.
When he was a young man, Gregg Keplinger sneaked into a coat room to hear John Coltrane play with Elvin Jones. He drew inspiration from that experience and developed a fiery, sensitive style of his own. Aside from his career as a drummer, Gregg is revered as a drum builder; and--due to his exceptional wisdom and empathy--he has mentored many of the greatest drummers from the Seattle area.
With a massive sound and a pummeling groove, Mac McNeilly served as the anchor for the compellingly bizarre, highly influential band The Jesus Lizard. At the peak of his powers (and popularity), he walked away from it all to focus on his family. He tells Joe about childhood chicanery; the machinations of The Jesus Lizard; and what he learned about his core identity after leaving the band.
As one of the funkiest drummers working today, Homer Steinweiss carries the torch lit by legends such as Clyde Stubblefield, Jabo Starks, and James Gadson. He tells Joe about growing up in Manhattan; his early love of grunge; recording with The Mighty Imperials at age 16; and how he came into his own as an artist.
Sebastian Thomson burst onto the scene as the drummer of the genre-defying band Trans Am. He tells Joe about growing up as a "super nerd" in Argentina and The United States; withdrawing from academia to pursue music; raging with Trans Am; auditioning for his current band Baroness; and why his playing is better than ever.
As the third drummer for punk pioneers, The Ramones, Richie Ramone brought new creative energy to the band--not only as a drummer, but as a songwriter and vocalist. Frontman, Joey, once said that Richie was the best thing to ever happen to The Ramones. Richie tells Joe about being a bratty kid, touring with a top 40 group, joining the legendary Ramones, golfing in Scottsdale, and revitalizing his musical career.
Joe is joined by DC resident, Amy Farina, a drummer who possesses a supernaturally spacious groove, coupled with an inventive compositional aesthetic. Amy tells Joe about her childhood in Pennsylvania; her background in visual art; her tenure with bands such as The Evens, The Warmers, and Lois; her compulsion to work; and parenthood.
Joe first witnessed Ryan Rapsys's singular brilliance at a basement show in Milwaukee in 1996. Since then, he has considered Ryan one of the very best drummers of his generation. Ryan tells Joe about how he learned to play Rush's 2112 as a toddler; how he burst onto the Chicago rock scene with bands like Gauge, Heroic Doses, and Euphone; how he lost his way after crippling tragedy; and how--now recovered--he is poised to create more great work.
Joe is thrilled to welcome one of his favorite drummers, Stewart Copeland, to The Trap Set. A founding member of The Police, Stewart is one of the most admired and influential drummers of all time. He tells Joe about how drumming made him a man; his father's background as a CIA agent; why he was largely unhappy during The Police's massively successful reign; his film scoring approach; and his parenting philosophy.
In this bonus mini-episode, Joe asks Stewart Copeland listener questions. He talks about group therapy with The Police, his recording approach, Klark Kent, and a famous phrase scrawled on his drum heads.
Damon Atkinson is perhaps best known for his drumming with Braid and Hey Mercedes. His cleverly composed, crisply executed beats are essential elements of those bands' formulas. He tells Joe about becoming fascinated with drumming while still a toddler; his punk rock roots in the northern suburbs of Milwaukee; how his DIY background served him well in the world of music business; and how--at age nineteen--he balanced fatherhood and musical ambition.
Edwin Bonilla started his musical journey playing rock and R&B on drum kit, but as a teenager he transitioned to timbales, bongos, and congas. He developed an aggressive, hard-hitting style that brought him to the attention of legends such as: Celia Cruz, Arturo Sandaval, and Stevie Wonder. He is perhaps best known, though, for his decades-long run with Gloria Estefan and the Miami Sound Machine. Joe caught up with Edwin before a recent performance of Estefan's hit Broadway musical, On Your Feet.
Jody Stephens drummed for Big Star, a band that was criminally overlooked during its initial lifetime but eventually became monumentally influential. Jody tells Joe about how he fell in love with drums, why he studied accounting and marketing, his creative role in Big Star, and how he has stayed busy at Memphis's legendary Ardent Studios.
In this bonus mini-episode, Gina Schock talks about performing with Baltimore legend and John Waters collaborator, Edith Massey, in Edie and the Eggs.
Daru Jones was born to two church music directors; and although he is rooted in Gospel music, he was also drawn to jazz and hip hop at a young age. He tells Joe about living in both the sacred and secular worlds; his genre spanning career; running his own label, Rusic Records; and how faith informs his life.