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The Trap Set with Joe Wong

Every Wednesday, Joe Wong talks to a different drummer about life as a drummer.
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The Trap Set with Joe Wong
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Now displaying: January, 2019
Jan 30, 2019

Larry Herweg’s commanding drumming has helped shaped Pelican’s dense, longform compositions for nearly 20 years. He tells Joe about: growing up in Illinois; being a late (musical) bloomer; how a bad experience turned him off from lessons; the challenges and rewards of playing in a band with his brother; working at Whole Foods; and escaping retail to become a real estate agent.

Jan 23, 2019

In this bonus episode, Joe talks to John Good, vice president of Drum Workshop.

Jan 16, 2019

For 25 years, Zach Lind has carved a creative niche within the often rigid parameters of modern rock. He talks about: manufacturing pressure to force the creative process along; growing up with a professional baseball player for a father; being raised in a Conservative Baptist environment, and ultimately leaving the church; "musical monogamy" with the remarkably consistent Jimmy Eat World.

Jan 9, 2019

Mona Tavakoli is a modern polymath whose impressive versatility and fierce creativity have resulted in a 20 year tenure in Raining Jane, along with collaborations with artists such as Jason Mraz, Ebi, and Pat Benatar. She visited Trap Set HQ for a wide ranging conversation about: Strawberry Shortcake albums; a Tori Amos focus group; hanging out with Al Gore and Richard Branson in Antarctica; becoming Little Miss San Jose 1984; creating a signature cajon; and co-founding the non-profit Rock n’ Roll Camp for Girls.

Jan 2, 2019

Budgie has the rare ability to metabolize influences ranging from taiko to dub, from gamelan to punk to Indian classical, all into a singular, uniquely fiery artistic identity. His poetic sense of rhythm has graced recordings by a range of iconic artists, but he is perhaps known for his partnership with Siouxsie Sioux. Budgie tells Joe about: a strange sense of freedom after losing his mother at a young age; his youthful attempts at abstract expressionism; why he thinks of music in visual terms; making a secret wax effigy of Siouxsie Sioux; working with The Banshees, The Creatures, The Slits, The Indigo Girls, and John Grant; hiding from his feelings and eventually—through sobriety—coming to terms with himself; and falling in and out of love.

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